Jamie xx/Young Thug/Popcaan – I Know There’s Gonna Be (Good Times) (Clean Edit)
Labels: Young Turks / XL Recordings / Beggars Group
Number of Tracks: 1
Total Time: 3:33
From the Album: In Colour
Formats: Dance, Pop, CHR Pop, Mixshow – Dance, Rhythmic Mixshow, Top 40
Available Date & Time: December 8, 2015 10:00 AM ET
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Jamie xx has been nominated for the "Best Dance/ Electronic Album" for the 58th GRAMMY Awards®. The nomination comes on the heels of a breakout year for the 27-year-old artist whose debut solo album In Colour was released in June via Young Turks. This marks the first Grammy award nomination for Jamie.
In Colour – which debuted at the #1 spot on Billboard’s Electronic chart – was a world-wide critical success as were the album’s singles "Loud Places (feat Romy)" and "I Know There’s Gonna Be (Good Times) ft. Young Thug & Popcaan." Earlier today NPR announced the album’s placement on their top album of the year list and Rolling Stone placed the "I Know There’s Gonna Be (Good Times) ft. Young Thug & Popcaan" single at the #5 spot for 2015. Additionally, to date In Colour has hit the top 10 at Time Magazine (#9) Spin (#3), and Noisey (#4).
Jamie xx has spent the past 6 months touring the world playing to sold out rooms at, among other venues, New York City’s Terminal 5, The Shrine Expo Hall in Los Angeles and at London’s 5000 capacity O2 Academy Brixton.
In Colour is a bold, celebratory, emotional record that features collaboration with Jamie’s band mates from The xx Romy Madley Croft ("Seesaw" and "Loud Places") and Oliver Sim ("Stranger In A Room"), Young Thug and Popcaan ("Good Times") and Four Tet ("Seesaw").
The release of In Colour came on the back of an incredible six year creative period for Jamie xx, which saw him alternate effortlessly between his role as founding member and producer of The xx, and creator of more electronic and club orientated music as Jamie xx. A string of acclaimed productions in recent years including debut solo single "Far Nearer," remixes for the likes of Adele, Radiohead and Florence & The Machine, production work for Drake and Alicia Keys plus We’re New Here – Jamie’s seminal reworking of Gil Scott-Heron’s final studio album – were just a hint at what was to come.
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