Bonnie Whitmore – Fine

Number of Tracks:1
Total Time:00:03:53
From the Album:Fine
Available Date & Time: Sep 21 2020 10:00:00 EDT
Impact Date: n/a





“Last Will and Testament is a confident, necessary statement from an artist whose time has come.” — Pop Matters


“Austin’s Bonnie Whitmore is more than a singer, songwriter, and multi-instrumentalist — she’s a force of nature.” — Country Queer


Bonnie Whitmore is not new to the music business. For the last two decades, she’s played bass and sung with some of the biggest artists in the Americana genre: Hayes Carll, John Moreland, Eliza Gilkyson, Sunny Sweeney, Jimmie Dale Gilmore, and Butch Hancock, to name a few.  She’s also maintained a weekly residency at the legendary Continental Club Gallery in Austin,where she lives. 


“Fine,” a track clearly destined to be a radio favorite, is an upbeat country rocker about the cycles of relationships, co-written with rising star Jaimee Harris. 


Bonnie grew up steeped in music and flanked by strong women. She toured in a band with her parents, Alex and Marti, and older sister Eleanor (now one-half of alt-country outfit the Mastersons with husband Chris Masterson) from an early age. A professional pilot, Alex Whitmore would fly the family to gigs at remote Texas bars and crowded festivals. Fun fact: Bonnie is a licensed pilot as well.


Whitmore co-produced the record with Scott Davis, who also co-wrote one of the album’s standout tracks, “Right/Wrong”. They recorded at Ramble Creek Studioin Austinwith engineer Britton Biesenherz. Craig Bagby (drums), Trevor Nealon (keys), and BettySoo (backing vocals, accordion), all members of Whitmore’s band the Sad Girls, are fixtures throughout the record. 


Whitmore has spent the last few years polishing these songs on the road opening for James McMurtry“Bonnie’s been first call support on my tours for a while now, because she kicks ass consistently,” says McMurtry, “Sometimes I forget who’s opening and wander back into the venue after I eat, thinking, “Damn, chick can sing, opening band sounds like money, oh . . .”   He first asked her to open a tour for him a few years ago, after hearing her sing “F*** With Sad Girls” at the Continental Club Gallery.  She’s a songwriter’s songwriter, and a musician’s musician, a fact made evident by artists like McMurtry wanting her as an opener, and artists like Hayes Carll wanting her in their bands. 


Radio Promotion: Angela Backstrom  



Press Promotion: Wendy Brynford-Jones  


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