Stephen Malkmus – Viktor Borgia

Labels:Beggars Group
Number of Tracks:1
Total Time:00:03:33
From the Album:Viktor Borgia
Formats:AAA,College,Non-Commercial,NPR,Specialty,Triple A
Available Date & Time: Jan 22 2019 10:30:00 EST

STEPHEN MALKMUS

GROOVE DENIED

 

OUT MARCH 15 ON MATADOR RECORDS

 

FIRST MALKMUS SOLO ALBUM SINCE 2001

 

FIRST MALKMUS ELECTRONIC ALBUM EVER

 

MALKMUS DANCES IN THE CLUB IN VIDEO FOR NEW SINGLE “VIKTOR BORGIA

 

SOLO TOUR ANNOUNCED FOR MAY

 

Year End Love for 2018’s Sparkle Hard

Pitchfork – Best Rock Albums of 2018

Rolling Stone – Best Albums of 2018

SPIN – Best Albums of 2018

The Ringer – Best Albums of 2018

Los Angeles Times – Best Songs of 2018

Consequence of Sound – Best Albums of 2018

Paste Magazine – Best Songs of 2018

FLOOD Magazine – Best Albums of 2018

Gothamist – Best Albums of 2018

 

 

 

The rumors are true:  The “rejected” electronic album that Stephen Malkmus has been telling everyone about will see the light of day on March 15th, when it’s released on Matador Records.  But Groove Denied is not a full-blown plunge into EDM or hiptronica.  In fact, there aren’t any purely instrumental tracks on the album.  Every song is precisely that: a song, featuring Malkmus staples like an artfully askew melody and an oblique lyric.  Groove Denied is Stephen playing hooky from his customary way of going about things, jolting himself out of a comfy routine. As Malkmus commented recently in a recent video interview, “It’s kind of funny to mess with stuff you’re not supposed to mess with.”

 

The first taste of Stephen’s new groove can be sampled today, with the release of single “Viktor Borgia,” and its accompanying video starring Stephen alone in a dance club — until he turns into a digital avatar and dance-battles the digital avatars of a Random Businessman and a pony-tailed pop-star named Ariana.  Watch HERE and download GIFs HERE.

 

The title playfully merges the name of the comedian-pianist and the ruthless dynasty of Italo-Spanish nobles. With its stately melody and the almost-English-accented vocal, the coordinates here are early Human League or even Men Without Hats. “Yes, I was thinking things like Pete Shelley’s ‘Homosapien’, the Human League, and DIY synth music circa 1982,” says Stephen, adding “and also about how in the New Wave Eighties, these suburban 18-and-over dance clubs were where all the freaks would meet – a sanctuary.”

 

Stephen will embark on a solo tour, sans Jicks, in May.  The newly announced run of dates can be found below.  The full Simon Reynolds-penned bio can be read HERE.

 

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When Stephen Malkmus first arrived on the scene in the early Nineties, as frontman and prime creative force in Pavement, the area of music with which he was associated couldn’t really have been further from the techno-rave sounds of the day. Electronic dance music, then as now, was about posthuman precision, inorganic textures, and hyper-digital clarity. Whereas the lo-fi movement in underground rock championed a messthetic of sloppiness, rough edges, and raw warmth – a hundred exquisitely subtle shades of distortion and abrasion.

 

Fast forward to the present and here comes Malkmus with Groove Denied – Stephen’s first solo album without his cohorts the Jicks since 2001.  Made using Ableton’s Live, instead of a human-powered rhythm section, Malkmus’s arsenal further included drum machines, along with a host of plug-in FX and “soft synths.” He compares the process of track-construction to the way his kids “used to make these girls on my iPhone – choosing hair colour, dresses, etc. That intuitive swipe and grab thing. Chop and move the waves. Apple computer scroll style of thinking.”

 

This departure from the tried-and-tested stems back to earlier in this decade, when Malkmus spent a couple of years living in Berlin and was exposed to the city’s vibrant club scene. Back in the Nineties, Stephen had given rave culture a wide berth, in part because of bad personal associations with the drug MDMA (he’d had “a really really bad trip” on Ecstasy in 1987, bizarrely on a visit to New York to see Miles Davis perform). But in Berlin, thanks to a younger deejay friend, Malkmus made forays into the city’s world-famous all-night party scene and became fascinated by techno. “The music can be great… you can zone out, dance, and focus on music – or just get wasted!”

 

It would not be entirely off-base, or an overly cute rock-historical reference, to describe Groove Denied as Stephen Malkmus’s Low. Although largely recorded in Oregon, the bulk of the album was written while he was living in Berlin. And whilst the methodology behind Groove Denied is absolutely 21st Century, the reference points for the sound-palette hark back to the pre-digital era. “The electronic music side of the album, I wanted it to be sonically pre-Internet,” explains Stephen.

 

Groove Denied will shake up settled notions of what Malkmus is about and what he’s capable of, repositioning him in the scheme of things. But looking at it from a different angle, his engagement with state-of-art digital tech actually makes perfect sense. After all, Nineties lo-fi – the sound in which he and Pavement were initially vaunted as leaders and pioneers – was nothing if not insistently sonic – it was all about the grain of guitar textures, about gratuitously over-done treatments and ear-grabbing effects. Noise for noise’s sake

 

As Stephen tweeted recently on the subject of Auto-Tune’s omnipresence in contemporary music-making: “We long 4 transformation….and we humans fucking luv tools.”

 

 

 

Groove Denied Tracklisting:

1. Belziger Faceplant
2. A Bit Wilder
3. Viktor Borgia 
4. Come Get Me 
5. Forget Your Place
6. Rushing The Acid Frat
7. Love The Door
8. Bossviscerate
9. Ocean of Revenge 
10. Grown Nothing

 

Tour Dates:

Jan 23 – Chicago IL @ Metro *

Jan 25 – Brooklyn NY @ Brooklyn Steel *

May 1 – Toronto ON @ The Great Hall ^

May 3 – Somerville MA @ Arts At The Armory ^

May 4 – Ardmore PA @ Ardmore Music Hall ^

May 5 – Washington DC @ Union Stage ^

May 7 – Austin TX @ 3TEN ACL Live ^

May 10 – Portland OR @ Doug Fir Louge ^

May 11 – Seattle WA @ Columbia City Theater ^

May 14 – San Francisco CA @ Swedish American Hall ^

May 15 – Los Angeles CA @ Lodge Room ^

May 30 – Barcelona ES @ Primavera Festival *

June 14 – Mannheim DE @ Maimarkt-Gelände *

June 19 – Paris FR @ La Gaîté Lyrique *

 

* denotes w/ The Jicks

^ denotes Malkmus solo

 

 

http://stephenmalkmus.com/

https://www.facebook.com/Stephen-Malkmus-The-Jicks-56710584421/

https://twitter.com/dronecoma

https://www.instagram.com/official_jickstagram/ 

http://www.matadorrecords.com/stephen_malkmus_and_the_jicks

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