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Joe Moses – Back Goin Brazy (feat. Future)

Labels: Warner Music Sweden
Number of Tracks: 1
Total Time: 3:28
Available Date & Time: February 23, 2018 12:12 PM ET
Country: Sweden

Max Frost – Good Morning

Labels: Warner Music Sweden
Number of Tracks: 1
Total Time: 2:34
Available Date & Time: February 23, 2018 12:10 PM ET
Country: Sweden

MARC, Caroline Høier – The Way I Do

Labels: Warner Music Sweden
Number of Tracks: 1
Total Time: 3:33
Available Date & Time: February 23, 2018 12:08 PM ET
Country: Sweden

Clara Mae – I Forgot

Labels: Warner Music Sweden
Number of Tracks: 1
Total Time: 3:04
Available Date & Time: February 23, 2018 12:06 PM ET
Country: Sweden

Hopium – Leave

Labels: Warner Music Sweden
Number of Tracks: 1
Total Time: 3:32
Available Date & Time: February 23, 2018 12:04 PM ET
Country: Sweden

David Guetta, Martin Garrix and Brooks – Like I Do

Labels: Warner Music Sweden
Number of Tracks: 1
Total Time: 3:23
Available Date & Time: February 23, 2018 12:02 PM ET
Country: Sweden

Esther Vallee – Hardcore

Labels: Warner Music Sweden
Number of Tracks: 1
Total Time: 3:05
Available Date & Time: February 23, 2018 12:00 PM ET
Country: Sweden

Leftover Salmon – Show Me Something Higher (Radio Edit)

Labels: LoS Records
Number of Tracks: 1
Total Time: 3:54
Formats: Americana, AAA, Non-Commercial, NPR
Available Date & Time: February 23, 2018 09:00 AM ET
Impact Date: February 23, 2018
Country: USA

Leftover Salmon"Show Me Something Higher"Impacting 2/23/18For any band to thrive on the road for twenty-five years, there needs to be a constant source of renewal, a fresh spring of creativity at the center of the music that brings each member back for more. For Leftover Salmon, one of the original purveyors of Americana, this source came first from the American roots music traditions they came up with: bluegrass picking, Cajun two-stepping, the country blues. For twenty-five years–over the course of their rise to become one of the biggest bands on the roots music circuit today, with legions of fans and routinely sold-out shows–Leftover Salmon have picked up many more influences. Much of this comes from the interactions between the founding members’ roots and the newer band members, who bring refreshingly different influences and ideas to the songwriting process. With their new album, Something Higher, due out May 4, 2018 on LoS Records, Leftover Salmon taps into everything from horn-blasting R&B to reverb-drenched desert noir, from the cosmic roots music sound they helped create to neo-New Orleans-meets-Appalachia liquefaction. There’s an unmistakable evolution to Leftover Salmon’s sound, and Something Higher has an edge to it that feels entirely new.
 
To create Something Higher, Leftover Salmon returned to long-time producer Steve Berlin (Los Lobos) with a new mission: to record at the famed Wavelab Studio in Tucson, Arizona, and to go all analogue. The warmth of analogue, coupled with Berlin’s uncommonly attuned ear for the dynamics of larger bands, brought a more focused sound to the group and challenged them as well. “He’s always looking for that thing in a song or a groove that he hasn’t heard before,” says bassist Greg Garrison about Berlin, “which is tricky because he’s heard a lot of stuff already! He pushes the band to do something different, to surprise him.” Over 10 days in Tucson, Leftover Salmon laid out the new music, each songwriter bringing a songwriting kernel and letting the rest of the band work out new improvisations to craft the final song. The key to Leftover Salmon’s music, now more than ever, is the way they marry technical precision with easy groove. It’s a trick that old jazz players used to pull, a dance between virtuosity and the illusion of ease. In crafting the new music, founding members Vince Herman and Drew Emmitt provide a foundational focus and guiding spirit, while banjo player Andy Thorn keeps the band close to their original roots in backstage picking parties. The rhythm section–bassist Garrison, keyboardist Erik Deutsch, and drummer Alwyn Robinson– was a key focus point for Berlin, who drew out members’ backgrounds in jazz and hip-hop to zero in on the heart of Leftover Salmon: the groove.
 
For the past quarter-century, Leftover Salmon has established itself as one of the progenitors of Americana music, digging deep into the well that supplies its influences; rock ‘n’ roll, folk, bluegrass, Cajun, soul, zydeco, jazz and blues. They are the direct descendants of bands like Little Feat, New Grass Revival, Grateful Dead and The Band, born of the heart and soul of America itself, playing music that reflects the sounds emanating from the Appalachian hills, the streets of New Orleans, the clubs of Chicago, the plains of Texas, and the mountains of Colorado. They’ve endured over all these years, earning their unequivocal stature as a truly legendary band.

Triple A Top 20 – Download (February 23rd, 2018)

 1.  Father John Misty – Mr. Tillman 
 
(Triple A, College, Specialty, AAA, Non-Commercial, NPR) Sub Pop Records  
2.  Lord Huron – Wait By The River 
 
(College, AAA, Non-Commercial) Republic Records / Whispering Pines  
 3.  Ryan Adams – Baby I Love You 
 
(Classic Rock, Triple A, College, Americana, Non-Commercial) PAX AM / Blue Note / Universal Music Belgium  
4.  Courtney Barnett – Nameless, Faceless 
 
(Triple A, Pop, AAA, NPR) Mom + Pop Records / RED  
 5.  Albert Hammond Jr – Far Away Truths 
 
(Triple A, AAA, Non-Commercial, NPR) Red Bull Records  
6.  Blackberry Smoke – Best Seat In The House 
 
(Active Rock, Rock, Classic Rock, Triple A, Classic Hits, AAA, Non-Commercial, NPR) 3 Legged Records / Thirty Tigers  
 7.  Dr. Dog – Go Out Fighting 
 
(Triple A, AAA, Non-Commercial, NPR) We Buy Gold / Thirty Tigers  
8.  Beach House – Lemon Glow 
 
(Alternative, Triple A, Specialty, AAA, Non-Commercial, NPR) Sub Pop Records  
 9.  Car Seat Headrest – Twin Fantasy 
 
(Alternative, College, Specialty, AAA, Non-Commercial, NPR) Beggars Group / Matador  
10.  Belle and Sebastian – How To Solve Our Human Problems (Part 3) 
 
(Triple A, College, Specialty, AAA, Non-Commercial, NPR) Beggars Group / Matador  
 11.  Parquet Courts – Almost Had To Start A Fight/In And Out of Patience 
 
(Alternative, Triple A, College, Specialty, AAA, Non-Commercial, NPR) Beggars Group / Rough Trade  
12.  Speedy Ortiz – Lucky 88 
 
(Triple A, AAA, Non-Commercial, NPR) Carpark Records  
 13.  Typhoon – Remember 
 
(Triple A, AAA, Non-Commercial, NPR) Roll Call Records  
14.  Janelle Monae – Make Me Feel 
 
(Triple A, AAA, Non-Commercial, NPR) Atlantic Records / Bad Boy Entertainment  
 15.  Lindi Ortega – The Comeback Kid 
 
(Triple A, Americana, AAA, Non-Commercial, NPR) Shadowbox Music Inc.  
16.  The Breeders – Nervous Mary 
 
(Alternative, Triple A, College, Specialty, AAA, Non-Commercial, NPR) Beggars Group / 4AD  
 17.  Everything Is Recorded – Everything Is Recorded by Richard Russell 
 
(Triple A, College, Specialty, AAA, Non-Commercial, NPR) Beggars Group / XL Recordings  
18.  Steve Obando – Babylon 
 
(AC, Triple A, College, Specialty, AAA, Non-Commercial, NPR) Obando Music, LLC.  
 19.  Justin Nozuka – Warm Under The Light 
 
(Triple A, AAA, Non-Commercial, NPR) Glassnote Records  
20.  Joel Taylor – Give Myself Away 
 
(Triple A, AAA, Non-Commercial, NPR) Joel Taylor Music  
 


Triple A Top 20 – Stream (February 23rd, 2018)

 1.  Father John Misty – Mr. Tillman 
 
(Triple A, College, Specialty, AAA, Non-Commercial, NPR) Sub Pop Records  
2.  Lord Huron – Wait By The River 
 
(College, AAA, Non-Commercial) Republic Records / Whispering Pines  
 3.  Ryan Adams – Baby I Love You 
 
(Classic Rock, Triple A, College, Americana, Non-Commercial) PAX AM / Blue Note / Universal Music Belgium  
4.  Blackberry Smoke – Best Seat In The House 
 
(Active Rock, Rock, Classic Rock, Triple A, Classic Hits, AAA, Non-Commercial, NPR) 3 Legged Records / Thirty Tigers  
 5.  Albert Hammond Jr – Far Away Truths 
 
(Triple A, AAA, Non-Commercial, NPR) Red Bull Records  
6.  Steve Obando – Babylon 
 
(AC, Triple A, College, Specialty, AAA, Non-Commercial, NPR) Obando Music, LLC.  
 7.  Janelle Monae – Make Me Feel 
 
(Triple A, AAA, Non-Commercial, NPR) Atlantic Records / Bad Boy Entertainment  
8.  Dr. Dog – Go Out Fighting 
 
(Triple A, AAA, Non-Commercial, NPR) We Buy Gold / Thirty Tigers  
 9.  Beach House – Lemon Glow 
 
(Alternative, Triple A, Specialty, AAA, Non-Commercial, NPR) Sub Pop Records  
10.  Speedy Ortiz – Lucky 88 
 
(Triple A, AAA, Non-Commercial, NPR) Carpark Records  
 11.  Car Seat Headrest – Twin Fantasy 
 
(Alternative, College, Specialty, AAA, Non-Commercial, NPR) Beggars Group / Matador  
12.  Swimming With Bears – French Girls 
 
(Triple A, AAA, Non-Commercial, NPR) Dynamite Red Media  
 13.  Everything Is Recorded – Everything Is Recorded by Richard Russell 
 
(Triple A, College, Specialty, AAA, Non-Commercial, NPR) Beggars Group / XL Recordings  
14.  Courtney Barnett – Nameless, Faceless 
 
(Triple A, Pop, AAA, NPR) Mom + Pop Records / RED  
 15.  Typhoon – Remember 
 
(Triple A, AAA, Non-Commercial, NPR) Roll Call Records  
16.  Justin Nozuka – Warm Under The Light 
 
(Triple A, AAA, Non-Commercial, NPR) Glassnote Records  
 17.  Muse – Thought Contagion  
 
(AAA, Non-Commercial) Warner Bros. Records  
18.  The Breeders – Nervous Mary 
 
(Alternative, Triple A, College, Specialty, AAA, Non-Commercial, NPR) Beggars Group / 4AD  
 19.  Lindi Ortega – The Comeback Kid 
 
(Triple A, Americana, AAA, Non-Commercial, NPR) Shadowbox Music Inc.  
20.  Soccer Mommy – Your Dog 
 
(Triple A, AAA, Non-Commercial, NPR) Fat Possum  
 


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